Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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george gower
Portrait of Mary Denton

ID: 88662

george gower Portrait of Mary Denton
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george gower Portrait of Mary Denton


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george gower

(born c. 1540 - died London 1596) was an English portrait painter who became Serjeant Painter to Queen Elizabeth I in 1581.   Related Paintings of george gower :. | WLA ima Lady Philippa Coningsby | Elizabeth I of England | Portrait of Mary Denton, oil on panel, York City Art Gallery. | Lady Kytson | Elizabeth Knollys |
Related Artists:
Giacomo Guardi
(1764-1835) was an Italian painter from Venice. The son of famous veduta painter Francesco Guardi, he continued his father's line of work, though without the same level of renown. The majority of his works are quite small views of only minor artistic interest, more akin to postcards than to his father's grand scenes, but he produced several paintings showcasing a notable level of artistic skill as well. Evaluating his legacy is somewhat complicated due to the frequency with which paintings are misattributed to him.
Eugen Bracht
Swiss, 1842 - 1921
LANFRANCO, Giovanni
Italian painter (b. 1582, Parma, d. 1647, Roma). Italian painter and draughtsman. A major figure in the development of the Roman Baroque in the 1620s, he painted many altarpieces and some cabinet pictures, but was notable above all for a number of dome frescoes that are indebted to the works of Correggio; most celebrated is the Assumption of the Virgin (1625-7) in the dome of S Andrea della Valle, Rome. He also influenced the development of art in Naples, where, between 1634 and 1646, he executed a series of vast fresco commissions that look forward to the art of Luca Giordano and Francesco Solimena. A vast number of Lanfranco's preparatory drawings survive, the majority of which are now in the Museo e Gallerie Nazionali di Capodimonte, Naples. Broadly speaking they are of two types: small (up to 200*250 mm) compositional sketches, either in brown pen, with or without brown wash, on white or beige fine paper, or in red chalk, sometimes with red wash, or, more rarely, in black chalk or a combination of both red and black; and slightly larger






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